Multiply processed voices using a phase randomizing filter to avoid comb filter effects and Acon Digital claims this ‘can be used to simulate the effect of several performers playing the same tones simultaneously, to widen the spatial image or to create special effects for sound design’. These are always good with vocals simply because they can fatten a voice up or, as in this case, be used as a more dramatic effect. Acon Digital MultiplyĪnd we finish with a chorus effect.
#Voice change for mac how to#
There’s a great instruction manual too, detailing how to get ‘that’ sound and others by switching modes mid tuning, playing MIDI info in in real time during tuning and more – all useful tips to get the best from the plug-in. Here you can use external MIDI notes to force the tuning to a certain key – a useful addition not available on all of the tuners here. The Detection section allows you to adjust according to incoming audio Correction determines the method and effect of the tuning and MIDI determine how GSnap deals with particular MIDI information. Our final pitch correction plug-in is a standout thanks to its logical layout which comprises three main groups: Detection, Correction, and MIDI. We found it best to try and get it to resonate by tweaking the Const Pos and Tenseness controls and it is almost worth a punt just for the driving results from that. You’ll get some interest out of it running low and high notes through it to make ‘male’ and ‘female’ versions but don’t go thinking this is a human voice replicator from the future – it’s more odd-ball research effect. In use you get Smoothing, Tenseness, Const Pos and Const Amt controls which can alter the sound quite considerably – although we’re not entirely sure how. It emulates the glotis and shape of the vocal tract to mimic parts of the human voice. On the face of it, this is a simple plug-in but we’re betting much thought has gone into it. There are EQ controls too and even a simple ‘2-knob’ version if having seven knobs baffles you. You only get a few knobs to play with, but the idea is you boost and compress until you find the right level and quality.
#Voice change for mac windows#
Yes we know it’s another 32-bit Windows VST but the difference here is that this plug-in is a plug for a paid for version (that is 64-bit and will run on a Mac) which at the time of writing is just $15! Vocal King is essentially a smoothing preamp and compressor plug-in, designed to ‘bring out the presence and clarity in vocals’. But for older systems and wobbly voices, this is a good option. The GUI is looking a little dated and sadly it looks like development stopped a while back, so we probably won’t be getting 64-bit any time soon.
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In fact it does step a little on a vocoder’s toes with some effects that you can achieve, pushing the results in that robotic direction, although not as far as some of the other pitch correction plug-ins here, and subtle pitch-correction is most definitely what Kerovee is aiming for (in the main). Like MAutoPitch, Kerovee is a pitch correction processor and, like Melda’s, it comes packed with enough features to take it beyond just automatic tuning and into more creative territories. There’s also a useful EQ section so you can really push the right frequencies, and if that’s not enough, there’s even an 8-voice synth thrown in for good measure.
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What’s really good about it is the simple layout and it is very easy to use with audio files. Vocov employs two different engines: an FFT-based digital engine or a filter bank analogue version.
#Voice change for mac for free#
And now you can get the effect for free with this digital/analogue hybrid VST.īoth carrier and modulator components are used to create the effect using an input signal like the human voice. The history of the vocoder goes back nearly 100 years and all sorts of gear, both hard and soft, has been used to create the classic robot voice effect used so well by Kraftwerk, ELO and many more.